Wednesday, December 15, 2010

Undergirls - "Nusumareta kuchibiru"

"Nusumareta kuchibiru" (Stolen lips)
(from "Ponytail to shushu" single)
AKB48 Undergirls senbatsu members (A: Iwasa Misaki, Katayama Haruka, Kuramochi Asuka, Maeda Ami, Ota Aika, Sashihara Rino / K: Akimoto Sayaka, Fujie Reina, Kikuchi Ayaka, Nito Moeno / B: Komori Mika, Oku Manami, Sato Amina, Sato Sumire / SKE48: Matsui Rena, Yagami Kumi)

words: Akimoto Yasushi
music: Inoue Yoshimasa
point of view: female
theme: love song
original lyrics


listen to Nusumareta kuchibiru on youtube

Spangles embroidered
In the midsummer's night sky
I pointed at the constellations
And asked you their names

The two of us were lying on a beach
The world up above us was so beautiful...
I thought I was the happiest person in the world
Just by being able to be at your side

Stolen lips
In the blink of an eye
Just as if wind had passed
You were in front of me
And for a second you were above me
My heart beat so fast
I was shaking

Words are always fumbling around
It's so hard to catch the real feelings...

Whenever the lighthouse on the cape shone
Your face appears in the darkness
Your embarassed eyes are so dear to me
I thought I loved you the most in the whole universe

Kiss me again
Let me prepare for it
So that I can feel your love
I want to gaze at you
Until we close our eyes
If it was just a kiss out of the excitement of the moment
Stop it...

Stolen lips
In the blink of an eye
Just as if wind had passed
You were in front of me
And for a second you were above me
My heart beat so fast
I was shaking

Kiss me again
Let me prepare for it
So that I can feel your love
I want to gaze at you
Until we close our eyes
If it was just a kiss out of the excitement of the moment
Stop it...

Stolen lips

Comment
This translation is a request from a S48 user, and I'm happy to help him out :D
It's a pretty simple song. "Stolen kiss" songs are a staple of idol repertory since the 70's, by the way :)

Thursday, December 9, 2010

Team A, "Kurumi to dialogue"

I've only posted one Team A song so far, and that's definitely wrong, cause Team A is my second favourite team by a very small margin (Team K just wins, but A is just awesome), and generally has a lot of songs I can safely call my favourites.
So, to celebrate Team A and also as an attempt of being up to date, let me bring you Team A's latest song, "Chance no junban"'s B-side, the amazing "Kurumi to dialogue".

"Kurumi to dialogue" (A dialogue with a walnut)
(from "Chance no junban" single)
Team A (full team)

words: Akimoto Yasushi
music: PJ
point of view: female
theme: sexy song
original lyrics


listen to Kurumi to dialogue on youtube

What do you wanna do?

Once you've cracked the walnut open
Its hard shell
What's there inside?
If I open my heart
I should understand
What's coming next, shouldn't I?

Do! Do!…Do!Do!

When our eyes met I felt something
I can't put my finger on
Even if you were erasing those signals
I felt your heartbeat
You were in a place
A little distant from me
And you didn't show it at all
cool

What should I do?

Once you've cracked the walnut open
I could hear
That voice I'd locked away...
Once you've learnt the truth
You can't go back anymore, can you?

Non!Non!…Non!Non!

Held by your hands,
Played with slowly,
I raise a cry
As if love was swaying
If you use a little force
Nonchalantly,
I can't really resist

Yes!Yes!…Yes!Yes!

What do you wanna do?

It's a secret to dad and mum
I was told this is wrong
It'd be ok if it was only a dream,
But can I crush it?

Do!Do!…Do!Do!

What should I do?

Once you've cracked the walnut open
It all starts
A crushed moral
More foolish than Adam and Eve
But somehow I want to do it

Once you've cracked the walnut open
Its hard shell
What's there inside?
If I open my heart
That forbidden thing is delicious

Do!Do!…Do!Do!
Do!Do!…Do!Do!

Comment
I already liked this song since its early leek but I never paid attention to the lyrics. So when I read them I was honestly astonished.
The metaphore is rather easy to see: "cracking the walnut" clearly refers to losing one's virginity. It's not the first time that AKB sing a song about this theme, in more or less explicit ways (songs that come to mind: "Virgin love", "Dear my teacher", "Dokugumo"...), but this is probably one of the most nicely worded and designed ones. We follow the girl meeting a boy, flirting with him and finally losing in to temptation, knowing that what she's doing might be wrong and that there's no way back but eventually conceding. Interestingly, the PV is all about losing to temptation, too, albeit sexual temptation is barely hinted at.

Tuesday, December 7, 2010

Team K - "Kiseki wa ma ni awanai"

Finally, here it comes. "Kiseki~" is a song that is most precious for me, the song I voted for for this year's Request Hour, it HAD to come around asap. :D

"Kiseki wa ma ni awanai" (Miracles don't make it on time)
(from Team K 6th stage "RESET")
Team K (Miyazawa Sae [centre], Yonezawa Rumi, Nonaka Misato)

words: Akimoto Yasushi
music: Miyajima Ritsuko
point of view: male
theme: love song
original lyrics


listen to Kiseki wa ma ni awanai

A windy bus stop
Even if I wait for you
You definitely won't come
I knew that much

Over a not so high hill
There's a bench that looks like someone has forgotten it there
My hat flew away...
I kept looking for you since then

But miracles never make it on time, do they?
Love is always such a hasty thing
How many buses will have to stop and leave
Until destiny catches up?
My future lover

The reason why my heart's beating fast
Suddenly sped up
And got closer
To my heart's curve

It feels like
the green trees are staring at me
And I can't calm down
The probability that the two of us will fall in love

But miracles never make it on time, do they?
Pure love is never something that goes smoothly
Even if you weren't on the last bus either
I will forever wait here
I am the only lover

But miracles never make it on time, do they?
Love is always such a hasty thing
How many buses will have to stop and leave
Until destiny catches up?
My future lover

Comment
I LOVE THIS SONG. (wow, a scholarly comment. XD) It's the first unit song that Sae got to lead and it was written exactly for her: it's fun, happy, boyish and cool and cute at the same time, just like she is.
This song has no hidden meaning or cultural references in particular. It talks of a boy/young man who was sitting on a bench next to a bus stop, when suddenly the wind made his hat fly away. When he goes to pick it up, he sees a girl on the bus passing by and falls in love at first sight; so he ends up waiting everyday all day at the bus stop to see her again, hoping for a miracle.
It's as simple as this. Yet, I find it so charming. I find that this songs suits who performs them so perfectly I just can't help but love it as if it were a part of Sae-chan. Rumi and Micha are great in this song too, and the voices of the three of them blend really nicely.
In short: there's nothing about this song that's not to like. XD I might not have a deep lyrics analysis this time, but this song gives me energy and positivity every morning when I have to face a hard day, so it deserves its place here. ♥

Monday, December 6, 2010

AKB48, "Ponytail to shushu"

As I promised, a single!
This time I wanted to go for something lighter, but still meaningful, so let me introduce to you...

"Ponytail to shushu" (Ponytail and scrunchie)
(from "Ponytail to shushu" single)
AKB48 senbatsu members (A: Kojima Haruna, Maeda Atsuko, Shinoda Mariko, Takahashi Minami, Takajo Aki / K: Itano Tomomi, Minegishi Minami, Miyazawa Sae, Ono Erena, Oshima Yuko / B: Kasai Tomomi, Kashiwagi Yuki, Kitahara Rie, Miyazaki Miho, Watanabe Mayu / SKE48: Matsui Jurina)

words: Akimoto Yasushi
music: Ota Shinya
point of view: male
theme: love song
original lyrics


listen to Ponytail to shushu on youtube

Before the set date on the calendar
I roll up my shirt's sleeves
It's the sign that the sun is getting closer
I'm changing to summer uniform starting from my arms1

Blue sea
On the shore
I want to see you
Splashing water with naked feet

(Shaking) your ponytail
Into the wind
You run (I run)
on the sand
(Shaking) your ponytail
You turned my way
Your smile
My summer begins

Sunrays lighten the classroom
The temperature of my dreams got higher
When I look at you, sitting some rows ahead of me
My heart aches

I'll never be able to say I like you
I whisper my feelings to your back

Your ponytail (makes me feel sad)
Inside my dreams
I have all of you (all of me)
For myself
Your ponytail (makes me feel sad)
One-sided love
When our eyes meet
Now, we're just friends

Your long hair in a ponytail
In a polka dot scrunchie
I can't catch the tail of love
It's an illusion that will disappear if I touch it

(Don't take out) your ponytail
Without ever changing
Just keep running
As you are (as I am)
(Don't take out) your ponytail
Please be forever
The happy young girl you are

La la la...

Note
1 The whole first verse refers to the Japanese school tradition of changing from long-sleeved winter uniform to short-sleeved summer uniform on a set date (usually at the start of June).

Comment
This song is cheerful only in appearance. It is actually a melancholy song, sung from a schoolboy's point of view, about his unrequited love for his classmate. The literal story is as follows: he sees her frolicking on the beach, her hair in a ponytail, and in their sunlit classroom at the beginning of Summer, and thinks that he will never be able to confess to her, he'll just keep loving her from a distance.
But the ponytailed girl is also a symbol of idealized youth. Her ponytail (tied with a colourful scrunchie), her school uniform, taking off her shoes and socks to play with the sea in the first Summer days... The schoolgirl symbolizes youth as it is often idealized in the Japanese adult world: innocence, simple beauty, cheerfulness. Youth is beautiful and fleeting, the only carefree time in a lifetime before being lining up in the "shakaijin" (productive worker) ranks; therefore it is an object of longing - this is the real reason why idol industry is so florid in Japan. They don't sell an image of sex as many Westerners think: idols are the image of perfect youth.
Back to the song, of course the literal unrequited love story is the prevailing part of the song, but the "symbolized youth" metaphor is a pivotal element of Japanese, and especially idol, culture, so I thought I'd point it out since it would be easy to overlook it for someone who is not very knowledgeable with Japan's idealization of youth.

Tuesday, November 30, 2010

Himawari-gumi - "Mori e ikou"

And lastly, the song that ranked 3rd in the poll: Himawari-gumi's beautiful "Mori e ikou".
Sorry for the wait! I have been out of town for a few days, and this is not a song to review in a hurry. I have so many things to say about it...

I'll do a single next, and then some more random songs from those shortlisted in the poll.


"Mori e ikou" (Let's go to the forest)
(from Himawari-gumi 2nd stage "Yume wo shinaseru wake ni ikanai")
Himawari-gumi

words: Akimoto Yasushi
music: Shusui, Stefan Aberg
point of view: third person
theme: allegory/story
original lyrics


listen to Mori e ikou on youtube

The adults always used to say
"You must not play in the forest"
Without even being told the reason,
The children were scared of the forest

It was a distant world
Enclosed among the thick trees
Where you can't even see the path

Someone shouted
"Even in that place there surely is some light..."
Just like there is hope in every sadness
The sun in the sky won't forsake it

But the adults frowned
They whispered to each other
"If we go to the forest we won't be able to come back"
And turned their back on the forest

What kind of magical creatures live there?

Someone pointed their finger
"If there's shadow there absolutely must be light..."
Just like tomorrow comes even for the deepest despair
The wind lets the sun filter through the trees to show us

"The light is overflowing in this world"
Even if the long Winter nights are pitch black
If you look up at the sky
You will see the stars

Let's softly close our eyes and remember
There is a divine light that reaches our hearts
Let's go to the forest

Someone shouted
"Even in that place there surely is some light..."
Just like there is hope in every sadness
The sun in the sky won't forsake it
"The light is overflowing in this world"
Even if the long Winter nights are pitch black
If you look up at the sky
You will see the stars

Comment
"Mori e ikou" is one of the best conceived AKB48 songs. The atmosphere is created by the perfect joining of lyrics, music, stage setting, even outfits.
Just like a fairytale, this tale is an allegory. Adults keep the children away from the wood, a mysterious and unknown place, because they are scared of the darkness that is inside of it. However, someone suddenly shouts the obvious truth: if there is darkness, there must be light. The sun must filter through the thick trees. There is no need to be afraid of the wood. But the adults frown and walk away, leaving the children with their doubts ("What kind of magical creatures live there?"). Yet, the children decide to start their journey through the wood
What this allegoric tales refers to is clear, but it does not mean it is weak. The wood represents one's fears and pain, the dark side. The "adults" do not want to face them for fear of suffering, and they especially want to shelter their children from pain, fear and despair they might encounter when facing the wood.
Nonetheless, the "children", those who mantain an innocent, naive and sometimes even reckless attitude to life, are curious and are somehow attracted to the wood. They see it for what it is, as shown in "someone"'s words: a dark place, yes, but a place that must be crossed in order to see the real light. Without making one's way through the wood, that is to say through pain and the facing of one's fears, one cannot grow up.

Many people have speculated how "Beginner" touched upon this theme (children who are too sheltered from pain), especially in the second verse. It might be true but while "Beginner" revolved around a different central theme ("finding the meaning of living through pain"), "Mori e ikou" focuses primarily on it, and is a deep, painful metaphor of growing up.

Tuesday, November 23, 2010

Team B - "Itoshiki Natasha"

Here's the song that got the silver medal in the poll: Team B unit song "Itoshiki Natasha".


"Itoshiki Natasha" (My dear Natasha)
(from Team B 4th stage "Idol no yoake")
Team B (Sashihara Rino [centre], Katayama Haruka, Tanabe Miku)

words: Akimoto Yasushi
music: Yoshino Takao
point of view: non specified in the verse, male first person and language in the chorus
theme: love song
original lyrics


listen to Itoshiki Natasha on youtube

Aiming for the distant Siberia
There was a man who smuggled himself on a freight ship

On the soil of the tundra even dreams freeze
He can't even see any future in this sky

The meaning of keeping walking over iced snow
looking for his most beloved woman

Natasha, how many times
Do I have to call out your name for it to reach you?
You should be there, beyond the wall of despair
Ah- love is my only reason to live

How much time has passed?
The never changing scenery is closing in the colour of his loneliness

He wanted to know the tears
That lie inside a speechless kindness

Has he forgotten how to put an end to something
Because of his footsteps and of the words brought by the wind?
His love lies at the furthest end

Natasha, my memories
See an illusion of you
This eternal Winter deludes my heart
Ah- love will be tomorrow's miracle

Even if I, dead tired, should collapse on the road
And lose my life I wouldn't have any regrets

Natasha, how many times
Do I have to call out your name for it to reach you?
You should be there, beyond the wall of despair
Ah- love is my only reason to live

Comment
"Itoshiki Natasha", music-wise, is a classic rock, powerful song. The lyrics tell the story of a man, presumably Japanese, who crosses over to Siberia to look for his lost Russian love, Natasha. It has the feel of a novel set in the XVIII or XIX century: the main character smuggles on a freight and gets to Siberia as a clandestine, and he keeps walking from town to town, in freezing weather, under snow storms, looking for the slightest hints (the "words brought by the wind"), without ever giving up his quest for his dear Natasha. The verses in the second part of the song seem to hint that he will never find her - but it's only the memory of Natasha, his illusion of her, that gives him the strenght to go on living.

The characteristic of these lyrics is that while the verses tell the story of the man in third person, the chorus switches to first person and have the man call out Natasha's name.
I also really like the Winter imagery with their strong relation to the unescapable loneliness of the man.

Not lyrics-wise, I think this is my favourite song from any Team B stage, ever (although none of the three members of this unit is in Team B anymore). One funny tidbit is that when Sashihara Rino, Katayama Haruka and Tanabe Miku took on "stage names" for this song: Dorian Sashihara, Divas Senorita Katayama and Glorious Tanabe, forming "Team Karyuudo" (Team Hunters). XD I think it started as a joke but then it stuck; if you watch the performance, you can hear the audience calling "Dorian", "Divas" and "Guro-chan" instead of the idols' real names.

Sunday, November 21, 2010

Team K - "Mushi no ballad"

I apologize for being so late but I am finally able my translation + commentary of "Mushi no ballad", the song that ranked first in the poll!
If you have never watched Sayaka perform this song, do yourself a favour: read the lyrics and then click on that youtube link and get ready to be blown away. This song is just beyond the idol world.


"Mushi no ballad" (A bug's ballad)
(from Team K 5th stage "Saka agari")
Team K (Akimoto Sayaka)

words: Akimoto Yasushi
music: Tago Kunio
point of view: male first person and language
theme: fighting song
original lyrics


listen to Mushi no ballad on youtube

Alone under the pouring rain
I wanted it to hit me and get me soaking wet
I was trying to wash away
My dirty body and my ugly heart

What am I supposed to believe in
To live through this age?
I ask myself,
But there's no answer

I am not afraid of being hurt
No matter how hard my road is
I am insignificant
Falling down on my knees
I'll just turn into a bug

The wind makes me fall down
But I have to get out of the mud
I recklessly groveled
Beautiful things
Are things that have been washed
By sweat and tears

What is true?
What is fake?
Even if I think about it
If I take a shortcut I won't find the answer

I don't lament the fact I'm going to die
No matter how long eternity is
I am clumsy but I won't look back
I'll just turn into an earnest bug

As long as I live
I don't care if I'm unsightly
On this ground I'm screaming out my soul
I will cling onto the fact I'm alive

I am not afraid of being hurt
No matter how hard my road is
I am insignificant
Falling down on my knees
I'll just turn into a bug

Comment
I think I haven't done much justice to this song with my translation. I am not very confident in the correctness of my English grammar here so any correction will be welcome.
"Mushi no ballad" is a solo song, sung by Akimoto Sayaka. At that time, the only other solo song ever existed was Oshima Yuko's "Naki nagara hohoende" and even now solo songs are not that common, so the fact that she got to do it despite not being a hugely popular member like Yuko really says something about Sayaka's potential and talent.
The lyrics use the male pronoun "ore", which is rather unusual for songs sung by girls (they rather use "boku" when it comes to songs sung in a male point of view). It's grammatically very strong and assertive, matching the theme of the song.
For once, the theme is not "let's do our best to reach our dreams". The main character of this song is portrayed as he struggles to be alive at all. He appears to be having a very hard time, "groveling in the mud", but he still he doesn't give up on life, whatever it takes. He will "cling onto life" even if it means to suffer, even if it means to become an unsightly bug. It's a powerful song, full of emotion. It might not have a difficult dance routine, but it takes a lot of skill to sing it, to convey the lyrics into a convincing performance. Simply, Sayaka has that.
The song has been performed by other members as well, with various results, during shuffle concerts and when Sayaka was absent from theatre performances, but this is Sayaka's song all the way. Even a great singer like Masuda Yuka (who technically outshines Sayaka) couldn't put as much emotion into her performance as Sayaka does.